'Patricia Lockwood is the voice of a generation' Namita Gokhale 'A masterpiece' Guardian 'I really admire and love this book' Sally Rooney 'An intellectual and emotional rollercoaster' Daily Mail 'I can't remember the last time I laughed so much reading a book' David Sedaris 'A rare wonder . . . I was left in bits' Douglas Stuart * WINNER OF THE DYLAN THOMAS PRIZE 2022 * * SHORTLISTED FOR THE BOOKER PRIZE 2021 * * SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 * * A BBC BETWEEN THE COVERS BOOK CLUB PICK * ______________________________________________ This is a story about a life lived in two halves. It's about what happens when real life collides with the increasing absurdity of a world accessed through a screen. It's about living in world that contains both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. It's a meditation on love, language and human connection from one of the most original voices of our time. ______________________________________________ 'An utterly distinctive mixture of depth, dazzling linguistic richness, anarchic wit and raw emotional candour' Rowan Williams A 2021 Book of the Year: Sunday Times, Guardian, Daily Mail, Telegraph, Evening Standard, The Times, New Statesman, Red, Observer, Independent, Daily Telegraph

Introduced by Patricia Lockwood: Gothic tales from the mistress of the weird behind frogman-romance Mrs Caliban for fans of Shirley Jackson, Lucia Berlin and Patricia Highsmith. 'Wonderful.' Margaret Atwood 'Genius.' Patricia Lockwood 'Remarkable.' Joseph Heller 'Perfect.' Max Porter ''Immensely skillful'. Ursula K. Le Guin 'Tender, erotic, singular.' Carmen Maria Machado 'Still outpaces, out-weirds, and out-romances anything today.' Marlon James 'One of the greatest short story writers we have.' The Times 'You are in masterly hands as Ingalls lures you into a swamp of violence and magic.' Sunday Times After a one-night-stand with the Angel Gabriel, a monk is transformed into a pregnant woman. Lost in the fog, two visitors are lured into a ruined candlelit mansion. A wife confiscates her husband's homemade sex doll, only to demand her own. Great-aunts warn of the deadly skin of the pearlkillers. Rachel Ingalls' incomparable novellas are masterpieces: surrealist, subversive, tragicomic. Prepare to meet what lurks beneath . 'Macabre, fantastic and haunting . . . One of the most brilliant practitioners of American Gothic since Poe . . . Read her at your peril.' Independent 'Fables whose unadorned sentences belie their irreducible strangeness . . . In her vision of intimacy and interdependence, you're simply not safe until everybody else is dead . . . Brilliant.' New Yorker 'Resists definition . . . Her work combines subtlety and horror, magic and stark realism, Greek tragedy and happily-ever-afters . . . Rare and fine. ' Guardian 'Idiosyncratic, haunting, masterly . . . A modern fabulist making myths which explode into strangeness.' Observer

'Patricia Lockwood is the voice of a generation' Namita Gokhale 'A masterpiece' Guardian 'I really admire and love this book' Sally Rooney 'An intellectual and emotional rollercoaster' Daily Mail 'I can't remember the last time I laughed so much reading a book' David Sedaris 'A rare wonder . . . I was left in bits' Douglas Stuart * WINNER OF THE DYLAN THOMAS PRIZE 2022 * * SHORTLISTED FOR THE BOOKER PRIZE 2021 * * SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 * * A BBC BETWEEN THE COVERS BOOK CLUB PICK * ______________________________________________ This is a story about a life lived in two halves. It's about what happens when real life collides with the increasing absurdity of a world accessed through a screen. It's about living in world that contains both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary. It's a meditation on love, language and human connection from one of the most original voices of our time. ______________________________________________ 'An utterly distinctive mixture of depth, dazzling linguistic richness, anarchic wit and raw emotional candour' Rowan Williams A 2021 Book of the Year: Sunday Times, Guardian, Daily Mail, Telegraph, Evening Standard, The Times, New Statesman, Red, Observer, Independent, Daily Telegraph

A must-have new edition of Virginia Woolf's masterpiece, featuring a cover illustrated by Alison Bechdel, The New York Times bestselling author of Fun Home, and a new foreword by Patricia Lockwood To the Lighthouse is at once a vivid impressionistic depiction of a family, the Ramseys, whose annual summer holiday in Scotland falls under the shadow of war, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. The novel's use of stream of consciousness, reminiscence and shifting perspectives gives it an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of all that had gone before.

'The work of a genuine original ... surreal ... funny ... subversive' Sunday Times What if a deer did porn? Is it legal to marry a stuffed owl exhibit? And what would Walt Whitman's tit-pics really look like? Free-wheeling and surreal yet deadly serious, and including the viral hit 'Rape Joke' ('An oblique mini-masterpiece' - Guardian), this book shows one of our most original poets at her virtuosic best. 'Lockwood has written a book at once angrier, and more fun, more attuned to our times and more bizarre, than most poetry can ever get' Stephen Burt, The New York Times Book Review, Books of the Year 'Lockwood should enter the canon forever . . . her lines left me crying on the subway' Kat Stoeffel, The Cut 'The little hairs on my back rose often while reading Motherland Fatherland Homelandsexuals . . . That's biological praise, the most fundamental kind, impossible to fake' Dwight Garner, The New York Times

'Priestdaddy caused a sensation when it hit bookshelves in 2017' Vogue 'Glorious' Sunday Times 'Laugh-out-loud funny' The Times 'Extraordinary' Observer 'Exceptional' Telegraph 'Electric' New York Times 'Snort-out-loud' Financial Times 'Dazzling' Guardian 'Do yourself a favour and read this memoir!' BookPage WINNER OF THE THURBER PRIZE FOR AMERICAN HUMOUR The childhood of Patricia Lockwood, the poet dubbed 'The Smutty-Metaphor Queen of Lawrence, Kansas' by The New York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange riddles and arnings of impending danger. Above all, there was her gun-toting, guitar-riffing, frequently semi-naked father, who underwent a religious conversion on a submarine and found a loophole which saw him approved for the Catholic priesthood by the future Pope Benedict XVI, despite already having a wife and children. When an unexpected crisis forces Lockwood and her husband to move back into her parents' rectory, she must learn to live again with the family's simmering madness, and to reckon with the dark side of her religious upbringing. Pivoting from the raunchy to the sublime, from the comic to the serious, Priestdaddy is an unforgettable story of how we balance tradition against hard-won identity - and of how, having journeyed in the underworld, we can emerge with our levity and our sense of justice intact. 'Destined to be a classic . . . this year's must-read memoir' Mary Karr, author of The Liars' Club 'Irrepressible . . . joyous, funny and filthy . . . Lockwood blows the roof off every paragraph' Joe Dunthorne, author of Submarine 'Beautiful, funny and poignant. I wish I'd written this book' Jenny Lawson, author of Furiously Happy 'A revelatory debut . . . Lockwood's prose is nothing short of ecstatic . . . her portrait of her epically eccentric family is funny, warm, and stuffed to bursting with emotional insight' Joss Whedon 'Praise God, this is why books were invented' Emily Berry, author of Dear Boy and Stranger, Baby

As this urgent, genre-defying book opens, a woman who has recently been elevated to prominence for her social media posts travels around the world to meet her adoring fans. She is overwhelmed by navigating the new language and etiquette of what she terms “the portal,” where she grapples with an unshakable conviction that a vast chorus of voices is now dictating her thoughts. When existential threats–from climate change and economic precariousness to the rise of an unnamed dictator and an epidemic of loneliness–begin to loom, she posts her way deeper into the portal’s void. An avalanche of images, details, and references accumulate to form a landscape that is post-sense, post-irony, post-everything. “Are we in hell?” the people of the portal ask themselves. “Are we all just going to keep doing this until we die?”

Suddenly, two texts from her mother pierce the fray: “Something has gone wrong,” and “How soon can you get here?” As real life and its stakes collide with the increasingly absurd antics of the portal, the woman confronts a world that seems to contain both an abundance of proof that there is goodness, empathy, and justice in the universe, and a deluge of evidence to the contrary.

Fragmentary and omniscient, incisive and sincere, No One Is Talking About This is at once a love letter to the endless scroll and a profound, modern meditation on love, language, and human connection from a singular voice in American literature.